I once made the comment that most of the entertainment today is in very terrible shape. The industries are trying to relive past glories, especially music and movies. Most of the money being made in the music industry is reissues, HDCD releases of noted titles, delux reissues, legacy reissues, offical releases of bootlegs, greatest hits, and any and all repackaging of classic albums. And they all exhaust well known, classic, enormous name artists, because they know people will select it. Because the majority of modern CDs, and fresh artists aren’t of any dependable quality, they have to rely on the customary stuff to invent money. The same can be said of the movies. It’s all sequels, prequels, remakes, and remodels.
Buy,Download, Or Stream Charlie and the Chocolate Factory! Click Here
Accordingly, I was not thrilled when I heard a unique version of “Charlie and the Chocolate Factory” was coming out. When I learned it was a Tim Burton/Danny Elfman/Johnny Depp production, I was less skeptical. When I saw a trailer, I was involved. When I heard Danny Elfman was writing/composing the music AND doing the vocals, I was exasperated. The collaboration is spacious, almost to the point of excusing all their pretensiousness and self-absorbtion… enough quibbling. On to the movie!
It holds many of Tim Burton’s staples; it is murky, stark, eerie, and filled with the regular unnamable props, but he has allowed joy into the equation. The movie is great better for it. There is rich color, specifically in the factory, to match the rich imagery and laughable comparisons of Willy Wonka. Depp is cast perfectly in this role, which is not really apparent unless you discover the movie. He is amusing, quirky, confused, and innocent; worthy different than the colorful, strong character played by Gene Wilder in the new. The children who obtain the golden tickets and their parents do a stout job too. Perhaps my accepted fraction is the wild card, Danny Elfman. If you don’t know WHO Elfman is, you’re obvious to have heard his music whether in any number of cult classic 80′s films (Pee Wee’s Tall Adventure, Beetlejuice, Batman 1 & 2), his TV themes (The Simpsons), his musical-esque movies featuring his vocals (Nightmare Before Christmas– an absolute classic soundtrack), or his 15-plus years of work as the vocalist/writer/guitarist for 80′s heavyweight Oingo Boingo. “Charlie” is the 11th time Tim Burton has worn Elfman as his composer, and this is arguably their greatest work together (though I select “Nightmare Before Christmas”) .
Buy,Download, Or Stream Charlie and the Chocolate Factory! Click Here
The movie itself is quite piquant, tantalizing into parts of the Willy Wonka anecdote the orignal movie didn’t, relying more on the Ron Dahl book. Note: even the lyrics to the four Oompa-Loompa songs are the lyrics from the original. We learn that Willy became a chocolateer to spite his father and is forever panicked by this falling out. An eventual redemtion of their relationship serves as a very obvious pro-family element. Best of all, it’s well-organized. Nothing negative, offensive, or disturbing is presented, meaning a green light for families and kids; a Astronomical plus. The spot of lacking special features is corrected here, but you can establish a few dollars if you don’t mind a slimmer package. A large, enormous, fun movie.
Overall: 9 out of 10.
First off, yes, I am a fan of Tim Burton. I even fill every one of his movies on DVD (though one or two of them I could live without) . But that’s not the point. The fact is, I respect his vision as an artist; and his ability to invent such surrealistic worlds that are both queer and fantastic are honest enough why I idolize him.
Okay, now, some of you may wonder, if this is a say remake of the 1971 film Willy Wonka and the Chocolate Factory that starred Gene Wilder. Actually, no, even though it’s the same myth view. The only contrast is that this film pays more homage to the book (Distinguished more homage) and is (of course) Incredible to glimpse at. The storyline now, is simple enough (because I’m under the impression that a lot of people have seen the recent film) : Charlie Bucket (Freddie Highmore) is a boy from an impoverished family living under the shadow of a giant chocolate factory, who eventually wins a candy bar contest and is given a tour, along with four other children, of the astonishing factory hasten by the eccentric Willy Wonka and his staff of Oompa-Loompas.
Performance wise, this movie belongs to Johnny Depp and Freddie Highmore, who are able to recreate their chemistry from Finding Neverland. However, quote: “Depp’s Wonka is far less cuddly than that of Gene Wilder, playing it more like a demented Mr. Rogers with more than a bit of a sadistic amble. The intention that he watches the kids meet their fates with giddy glee is quite disturbing, but it’s hard not to savor this quirky hermit’s complete lack of social skills.”-Edward Douglas, [...] (sorry, but the guy explianed it perfectly) Also, I’d like to certain this up out of my system before it does any more injure, but it seems A LOT of ….people are comparing Depp’s Wonka w/ a definite pop star so noteworthy that it really unbiased sickens me. This assessment can be contradicted however. First reason (and this came from no other than Depp himself) : In an interview, Johnny said he had NO Device whatsoever to obnoxious his character off of Micheal Jackson. Second reason: Willy Wonka is a recluse, so he’s supposed to be weird, peculiar, crazy, whatever. I mean, the guy shunned himself from society for 15 years so he’s going to be pale, out of style/trend, and a bit late. Also, throughout the movie, we’re shown flashbacks of Wonka’s past that are veteran to elaborate his weirdness. There, ruin of narrative. Freddie Highmore’s Charlie is more gloomy than the unusual one, so mighty that you’ll want to hug him b/c he’s so optimistic depsite living such an impoverished lifestyle. Another performance nod goes to Deep Roy, who plays all the Oompa-Loompas w/ such panache. Everyone else is worthy in their performances.
Now, aesthetically, this film is amazing; in fact, this is Burton’s most visually striking film to date. He yet again creates such surreal and imaginative landscapes that it’s impartial staunch contemplate candy to see at; the factory rooms being the prime example. Some of the wacky machinery stale to get candy is fair as impressive and actually looks like it could work. Yet, as w/ the new film, this film creates an atmosphere that could unnerve sensitive folks. The boat paddle down the chocolate tunnel is not the acid shuffle that was the unusual, but rather like an intense roller coaster scamper. Also, for those who have seen the new, the four kids who plunge to their weaknesses (loosely speaking: gluttony, pride, avarice(that’s greed) and sloth) and punished for not heeding warnings are a bit more hazardous (thanks to the evolution of filmmaking) and search for fatal, but are not.
Also, another treat in this film is to hear composer Danny Elfman (who has smooth glowing powerful all of Tim Burton’s films to date build for Ed Wood, which was scored by Howard Shore) train again. He sings all the Oompa-Loompa songs provided by the lyrics written in the book with such style that you can’t assist but tap your feet. For the characterize, he also sung in Tim Burton’s The Nightmare Before Christmas.
Well, I have I covered over everything. Overall, genuine faithful adaptation that surpasses the current in practically every map (sorry, but…my understanding) . Also, the ending is different, both from the book and the current film; but composed safe. This is also Burton’s best film next to Ed Wood and redeems him from his Planet of the Apes remake (what was he thinking w/ that? ) . Anyways, mammoth film: fair as wacky and crooked as you might inquire of but nonetheless unbelievable to recognize at and as magical as the current.
Scorpions Las Vegas
Steve Winwood tickets Atlantic City